Eighteen young Flemish and Dutch authors drew inspiration from the collection held by the Mauritshuis in The Hague. They looked at seventeenth-century paintings through the lens of an alternative history which they then brought to life in short but powerful texts. Frances Welling looked at the repainted hand on Peter Paul Rubens’ Old Woman and Boy with Candles, and wrote a poem about family ties. ‘the outline of the first hand a reminder of a fairer distribution’

© Mauritshuis, The Hague
Incendiary
it’s a no go, writing about blood
when it hasn’t reached its lowest point
is still pouring down the steps
the dogs are still sniffing the corpses
an organism in motion keeps moving
until it’s brought to a standstill
an organism that stagnates will remain stagnant
until it’s moved
until it’s stirred
until it empties
until it expires
it took some doing though
not just the candle the whole torch
not just the revolution the guerre civile the escape too
sometimes no external cause can be found for pain
it no longer matters you’ve simply had enough
the outline of the first hand a reminder
of a fairer distribution
(no Maecenas was affected by this)
I wanted the hands closer so she could warm herself and thus created her anew
she died a few days later
the concept of progress had cut the ties
with the Huguenots and the peasants and the priests
and the parents and the parents and the parents
the wake attracted each and everybody
back to the first surname that connected us
it left the whole house buzzing
she’d grown hundreds of years old, maybe
resistance can be as simple as holding on
brush dust off the forgotten names
trace the lines that I know
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