On Duality and on Painting as Sculpture (and Sculpture as painting). The Visual Work of Lili Dujourie
(Joris D’Hooghe) The Low Countries – 2017, № 25, pp. 186-193
In 2015, ten years after the retrospective of the work of artist Lili Dujourie organized by the Centre for Fine Arts in Brussels (BOZAR), her work was again celebrated in Belgium in a new retrospective, Folds in Time – a diptych, in fact, held in parallel in Ostend (Mu.ZEE) and Ghent (S.M.A.K.). Together, the exhibitions covered the period from her debut in the 1960s to the present, providing insights into her oeuvre – one that, significantly, is determined as much by its formal character as by the critical development with which Dujourie related as artist to the art world around her.
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