High Road to Culture in Flanders and the Netherlands

Publications

High Road to Culture in Flanders and the Netherlands

Article

Sumai Yahya - The Bubble

Sumai Yahya gives us a look at an Etruscan vase made by Manufacture Impériale de Sèvres in 1858.

Article

Shimanto Reza: Lines

Shimanto Reza wrote a letter inspired by a map of the Bay of Bengal from around 1695.

Article

Betül Sefika: Crops

Betül Sefika was inspired for her visual poem by a rice stalk, which is directly descended from rice seeds that were smuggled from Africa to Suriname by an enslaved woman.

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Sophia Blyden - Empty Space

Eighteen young authors have brought nineteenth-century artefacts from the Rijksmuseum to life. Sophia Blyden wrote her text in response to a sculpture of Lorenzo Bartolini.

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Robin Goudsmit - Whiteness: My Manual

Eighteen young authors have brought nineteenth-century artefacts from the Rijksmuseum to life. Robin Goudsmit wrote a manual to accompany a painting.

Article

Marte Hoogenboom - Behold, Yourself

Eighteen young authors have brought nineteenth-century artefacts from the Rijksmuseum to life. Marte Hoogenboom wrote a dialogue in response to a painting and a sculpture.

Article

Daan de Jager - Farewell: Van Gogh

Eighteen young authors have brought nineteenth-century artefacts from the Rijksmuseum to life. We join Daan de Jager as he looks at a self-portrait by Vincent van Gogh from 1887.

Article

Elise Tumba Kiambi - A Farmer’s Legacy

Eighteen young authors have brought nineteenth-century artefacts from the Rijksmuseum to life. Elise Tumba Kiambi wrote a poem in response to Andreas Schelfhout’s painting Farmyard.

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Phaedra Derhore - Good Boy

Phaedra Derhore drew a short comic in response to the painting Still Life with Game and a Greek Stele: Allegory of Autumn by Georgius Jacobus Johannes van Os from 1818.

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Marieke Ornelis - Oil on Canvas

We join Marieke Ornelis as she looks at Portrait of a Young Woman, with ‘Puck’ the Dog, painted by Marie-Thérèse Schwartz

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Jorik Amit Galama - Guided Tour

Jorik Amit Galama wrote a text in response to the painting Farm on the bank of a stream in Gelderland by Wouter Johannes van Troostwijk.

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Emma Zuiderveen - Cobalt Blue

Together with Emma Zuiderveen we look at the blue in Claude Monet’s 1884 painting La Corniche near Monaco.

Article

Pim Lammers - Tear Me Down

Pim Lammers offers us an insight into Gerrit Schouten’s Model of the Memorial of J.F. de Friderici from 1812.

Article

Laure-Anne Vermaercke - NG-1983-1

Laure-Anne Vermaercke invites us to take a very close look at the Diorama of the Zeezigt Coffee and Cotton Plantation, made by Gerrit Schouten in c. 1815 – c. 1821.

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Amarylis De Gryse: Ordinary Men

Amarylis De Gryse got inspired by the painting 'The Company of Captain Albert Bas and Lieutenant Lucas Conijn'. She explores the inner life of a militiaman.

Article

Edna Azulay: night owls

Edna Azulay has composed an ode to the intoxication of 'The Drunken Couple' by Jan Steen.

Article

Dieter De Schutter: King

Dieter De Schutter drew a graphic story inspired by the masked figure on a ferry in a 370-year-old river landscape. ‘I can never step out of line.’

Article

Jasmijn Post: The Corset

Jasmijn Post brings the painting 'The Love Letter' by Johannes Vermeer to life. We listen to a woman whose feelings are restricted by social conventions.

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Malika Soudani: A Woman

Malika Soudani gives a voice to 'Portrait of a woman' by Frans Hals. ‘I wonder if they called it that because it’s a good title or because they’ve forgotten my name.’

Article

Obe Alkema: Festoon of Fruits and Flowers

Obe Alkema gives the floor to a festoon of fruits and flowers: ‘We’re fruit, flora, authentic. We want to be seen the way Yotam Ottolenghi sees us.’

Article

Sanne Pieters: Milked Out

A still life with cheese, that’s all Sanne Pieters needs to dissect gender roles. ‘I watch you a lot: you and that favourite cow of yours.'

Article

Bart Decroos: The Idyll

Bart Decroos wrote a short story inspired by a 1708 drawing by Dirk Valkenburg, entitled ‘View of a Mill and Cook-house on a Plantation in Surinam’.

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