Laure-Anne Vermaercke - NG-1983-1
Laure-Anne Vermaercke invites us to take a very close look at the Diorama of the Zeezigt Coffee and Cotton Plantation, made by Gerrit Schouten in c. 1815 – c. 1821.
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High Road to Culture in Flanders and the Netherlands
How might a statue look back on its career? Whose hands handled the wood before it was made into a cabinet? What can a jar of mustard tell us? Eighteen young Flemish and Dutch authors who attended deBuren’s residency programme in Paris have brought nineteenth-century artefacts from the Rijksmuseum to life. They have taken inspiration from the question: what do you see when you look at these objects with an eye for invisible labour?
Laure-Anne Vermaercke invites us to take a very close look at the Diorama of the Zeezigt Coffee and Cotton Plantation, made by Gerrit Schouten in c. 1815 – c. 1821.
Sanne Aletta van Otten voices a drip-filter coffee pot from 1816, manufactured by the Diemont company.
Kenneth Berth created an audio story in response to Louis Moritz’s painting The Music Lesson from 1808.
We join Dagmar Bosma as she questions a cabinet made by Charles-Guillaume Diehl in c. 1867 – c. 1880.
Anne Marijn Voorhorst looks at a mustard pot made by Jean Baptiste Claude Odiot around 1819.
Pim Lammers offers us an insight into Gerrit Schouten’s Model of the Memorial of J.F. de Friderici from 1812.
Maxine Palit de Jongh presents us with an Erard Frères pianoforte from 1808.
Together with Emma Zuiderveen we look at the blue in Claude Monet’s 1884 painting La Corniche near Monaco.
Jorik Amit Galama wrote a text in response to the painting Farm on the bank of a stream in Gelderland by Wouter Johannes van Troostwijk.
Kiriko Mechanicus explores Girl in a White Kimono, painted by George Hendrik Breitner in 1894.
Sumai Yahya gives us a look at an Etruscan vase made by Manufacture Impériale de Sèvres in 1858.
We join Marieke Ornelis as she looks at Portrait of a Young Woman, with ‘Puck’ the Dog, painted by Marie-Thérèse Schwartz
Phaedra Derhore drew a short comic in response to the painting Still Life with Game and a Greek Stele: Allegory of Autumn by Georgius Jacobus Johannes van Os from 1818.
Eighteen young authors have brought nineteenth-century artefacts from the Rijksmuseum to life. Elise Tumba Kiambi wrote a poem in response to Andreas Schelfhout’s painting Farmyard.
Eighteen young authors have brought nineteenth-century artefacts from the Rijksmuseum to life. We join Daan de Jager as he looks at a self-portrait by Vincent van Gogh from 1887.
Eighteen young authors have brought nineteenth-century artefacts from the Rijksmuseum to life. Marte Hoogenboom wrote a dialogue in response to a painting and a sculpture.
Eighteen young authors have brought nineteenth-century artefacts from the Rijksmuseum to life. Robin Goudsmit wrote a manual to accompany a painting.
Eighteen young authors have brought nineteenth-century artefacts from the Rijksmuseum to life. Sophia Blyden wrote her text in response to a sculpture of Lorenzo Bartolini.