High Road to Culture in Flanders and the Netherlands

Publications

High Road to Culture in Flanders and the Netherlands

High and Dry. Media-friendly Dutch Droog Design on the International Winners' Podium
0 Comments
For subscribers

High and Dry. Media-friendly Dutch Droog Design on the International Winners' Podium

(Christelle Méplon) The Low Countries - 2005, № 13, pp. 209-217

This is an article from our print archives. Please be patient as we have to scan it

In the last decade of the twentieth century, Droog Design was one of the most talked-about cutting-edge movements in the world of design. It rapidly succeeded in gaining international attention for its new design mentality, with its emphasis on clear concepts, its sober, ‘dry' approach and its ‘dry' sense of humour (all encompassed by the one short word ‘droog', ‘dry', which also evokes all the relevant Dutch historical stereotypes). However, the sounds of celebration on the occasion of Droog Design's recent tenth birthday weren't exactly deafening. Art magazines, design magazines, colleagues and the culturally-minded may all sing the praises of Dutch Design, but industry and ordinary consumers aren't impressed. Dutch top design consists mainly of media products; there's hardly any connection to industry and the market. Do these clever, ironic, thought-provoking social comments of Droog Design go beyond the level of frivolous entertainment?

Continue reading?

The article you want to access is behind a paywall. You can purchase this article or subscribe to access all the low countries articles.

€3

€4/month

€40/year

Sign in

Register or sign in to read or purchase an article.

Sorry

You are visiting this website through a public account.
This allows you to read all articles, but not buy any products.

Important to know


When you subscribe, you give permission for an automatic re-subscription. You can stop this at any time by contacting emma.reynaert@onserfdeel.be.